一、品相問題

1、 Quality issue

品相是指字畫的“相貌”狀況，這些都是影響字畫價值的重要因素。如果購買古舊字畫，更應注意品相問題。

Quality refers to the "appearance" of calligraphy and painting, which are important factors affecting the value of calligraphy and painting. If purchasing antique calligraphy and painting, one should pay more attention to the issue of appearance.

二、問題

2、 Price issue

名人字畫的定價不受物價部門的約束，字畫市場漫天要價的現(xiàn)象非常普遍，所以在購買名家字畫時，要了解行情，或請內(nèi)行把關，以免上當。

The pricing of celebrity calligraphy and painting is not constrained by the national price department, and the phenomenon of overcharging in the calligraphy and painting market is very common. Therefore, when purchasing famous calligraphy and painting, the first thing to do is to understand the market situation or ask experts to check to avoid being deceived.

三、真假問題

3、 The issue of authenticity

名人字畫市場贗品泛濫，購買名家字畫時，應請行家掌眼，以防買來假貨。穩(wěn)妥的辦法是直接從字畫家手中購求，或從有信譽的畫廊處購買。

The celebrity calligraphy and painting market is flooded with counterfeits. When purchasing famous calligraphy and paintings, one should ask experts to keep an eye on them to prevent buying counterfeit goods. The safest way is to purchase directly from a calligrapher or from a reputable gallery.

四、水平問題

4、 Horizontal issues

名人字畫藝術水平的高低是衡量其收藏價值的基本因素，名家之作也未必幅幅都是精品，如應酬之作、敗筆之作便無法體現(xiàn)其應有的藝術水平，因而與精品的價值也大相徑庭。

The level of artistic proficiency in celebrity calligraphy and painting is a fundamental factor in measuring their collection value. Even the works of famous artists may not necessarily be all exquisite in size. For example, social works and failed works cannot reflect their expected artistic level, and therefore their value is vastly different from that of exquisite works.

五、尺幅問題

5、 Scale issue

名家字畫的銷售有的以幅為計價單位幅是指常規(guī)幅面，即不小于4尺3開者，有的則以平方尺為計價單位。所以同一位名家的作品，幅面越大，其價值越高。如幅面小于4尺3開的小品，其價值就不能與常規(guī)幅面的字畫相提并論。

Some sales of famous calligraphy and painting are priced in square feet, while others are priced in square feet. So the larger the size of a work by the same famous artist, the higher its value. If the size of a sketch is less than 4 feet and 3 inches, its value cannot be compared to that of a regular size of calligraphy and painting.

六、代表作問題

6、 Representative work issues

所謂代表作主要是指字畫家擅長項目，如齊白石畫蝦蟹、徐悲鴻畫馬、黃胄畫驢、李可染畫山水或牛等。對字家而言，有的以草字見長、有的以篆字見長，如果字畫家的作品不是其擅長的項目，其價值即遜一籌。

The so-called representative works mainly refer to the projects that calligraphy painters are good at, such as Qi Baishi painting shrimp and crabs, Xu Beihong painting horses, Huang Zhou painting donkeys, Li Keran painting landscapes or cows, etc. For calligraphers, some excel in cursive script and others excel in seal script. If the works of calligraphers are not their specialty, their value is inferior.

七、裱工問題

7、 Mounted worker issues

裱工是指字畫裱件的裝裱質量。有的字畫裱件做工粗糙，或不平展，或殘脫，或有折痕，或受濕受污等等。這些情況不但影響懸掛和欣賞，而且危及字畫的壽命，也削弱了字畫應有的價值。

Mounter refers to the quality of mounting calligraphy and painting frames. Some calligraphy and painting frames have rough workmanship, some are not flat, some are missing, some have creases, or are contaminated by moisture, and so on. These situations not only affect the hanging and appreciation, but also endanger the lifespan of calligraphy and painting, and weaken the value that calligraphy and painting should have.